[f_minor] Knock Knock
maryellen jensen
maryellenjensen28 at hotmail.com
Fri Apr 17 17:19:19 MDT 2015
The knock knock joke has appeared at least once again in the blogosphere - or I mean the commentosphere:
Here at The Globe and Mail in the comments section:
http://www.theglobeandmail.com/arts/music/american-composer-philip-glass-wins-glenn-gould-prize/article23958858/
No knock knock here (so far) but the comments seem to reflect the same division of opinion as F Minorites:
http://slippedisc.com/2015/04/philip-glass-wins-100000-glenn-gould-award/
My personal opinion of Gorecki's music is that I prefer to listen to Arvo Pärt:
http://www.francemusique.fr/player/resource/33199-17642
This following link will not helas lead you to a concert anymore but you will see what it was when it was and it was terrific:
http://www.francemusique.fr/emission/le-concert-du-soir/2012-2013/tallis-scholars-tallis-palestrina-allegri-whitacre-part-byrd
Here is part of it, Pärt's part, saved by some intrepid soul who then stuck it up on youtube:
https://www.youtube.com/watch?v=sHaBEQE8JQI
Amazing that Lukas Foss was never a GG Prize Laureate.
Mary
From: bobmerk at earthlink.net
To: f_minor at glenngould.org
Date: Fri, 17 Apr 2015 01:21:04 -0400
Subject: Re: [f_minor] Knock Knock
well anyway, as long as the Foundation tossed
us into this arena ... who has opinions about Henryk Górecki?
I mean opinions about
his music, but if you got opinions about his character or his little-known
hobbies, I'd like them, too.
d. 2010. De mortuis nil nisi bonum.
Bob
Massachusetts
USA
PS. John, did you ask for your
money back? I've been known to do that.
----- Original Message -----
From:
John
Hood
To: Discussion of the Canadian pianist Glenn
Gould.
Sent: Wednesday, April 15, 2015 9:25
PM
Subject: Re: [f_minor] Knock Knock
I once saw Philip Glass perform
live.
The music was so loud and distorted that you
couldn't get any idea of what he was trying to achieve; or that sounded
anything like the style of his records. No separation between
instruments.
It was a disgraceful effort.
JH
From: Pat
Sent: Wednesday, April 15, 2015 10:19 PM
To: f_minor at glenngould.org
Subject: [f_minor] Knock Knock
- Knock knock
- Who’s there ?
- Knock knock
- Who’s there ?
- Knock knock
- Who’s there ?
- Knock knock
- Who’s there ?
- Knock knock
- Who’s there ?
- Knock knock
- Who’s there ?
- Phil Glass
....so, this year’s winner of the GG Prize has been announced and it is
Philipp Glass.
As you all know, with a few exeptions Mr. Gould found that whole minimal
thing a bit dull and methinkst at one point he refered to it as 18th Century
Music or summet to that extent. (Personally I am not of that opinion, just for
the record. What counts here are the opinions of Mr. Gould.)
So I wonder if this was a wise choice.
Not that I have any grudges against Mr. Glass, far from it.
Yet I reckon it should have gone to someone with a more “gouldian”
approach to music and technology than a former revolutionary composer from the
70s who is past mainstream and maybe a bit antique by now. And who was
parodied by Mr. Gould in one of his rehearsal tapes.
Or could it be that the Old Boys And Girls Network was in charge, decided
to give the prize to “one of us” without any regard whatsoever for any
gouldian context or the signals this is sending to the rest of the art world,
be done with it, proceed to the lunch buffet, safe in the knowledge that their
names will also be mentioned in blogs and articles around the interwebs
together with the famous laureate ? Do I smell Politics ? A PR stunt ? Why am
I wondering if dear old Pet Clarke has ever seen or heard
Koyaniswhatever ?
At least for me this announcement has a strange aftertaste and I really
dunno if Mr. Gould would be happy with the idea of giving a prize in his name
to Mr. Glass. Or giving out a prize in his name in general.
Pat
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