[f_minor] more on R.Tureck and GG
Kpapademas at aol.com
Kpapademas at aol.com
Tue Aug 10 09:17:25 EDT 2010
Hi Anne and Elaine
While everyone reads or re-reads Katie Hafner's book - a link to a recent
interview with Verne Edquist -
_http://www.thestarphoenix.com/entertainment/movie-guide/Piano+tuner+unseen+
artist/3379292/story.html_
(http://www.thestarphoenix.com/entertainment/movie-guide/Piano+tuner+unseen+artist/3379292/story.html)
K
In a message dated 8/9/2010 10:46:03 P.M. Central Daylight Time,
afrench6 at cox.net writes:
Great post, Elaine. Now I want to read this book. And I do NOT play
the piano (at least not in public)... but the mechanics, tuning, all that
have always fascinated me. Also, I'll have to go back and read prior posts in
this thread, because the Tureck thing sounds fascinating too. So thank you
again.
Anne
On Mon, Aug 9, 2010 at 8:36 PM, Elaine Parks <_elaine19c at yahoo.ca_
(mailto:elaine19c at yahoo.ca) > wrote:
I'm not sure how familiar everyone is with Katie Hafner's terrific book "A
Romance on Three Legs: GG's Obsessive Quest for the Perfect Piano". It's a
must-read for those of you who actually play the piano professionally and
a really interesting book for the rest of us. Anyway she describes Tureck
literally experiencing a revelation about Bach's music which led to her
knowing she "had to create an entirely new technique for playing the piano as a
result"; and also that she certainly did some trailblazing in playing the
Goldbergs at Juilliard. Hafner does say Tureck was "put out by Gould's
achievement" and her Bach became "yesterday's news" when his Goldbergs album
made him a star.
I think it's somewhere in a radio interview Tureck very graciously says
something to the effect that she's flattered by Gould's praise of her Bach;
in another book (sorry I don't remember which at the moment) it's recalled
she said more bitterly "he played them the way I did" or close to those
words. One has to feel for her.
To return to Katie Hafner's book, she writes about GG's superhuman speed
and that "Gould's playing resembled Tureck's, but his tone was more
seductive, and his approach, especially in terms of rhythm, was more dynamic...with
one recording GG proved that he could play the piano like nobody else in
the world".
Personally I find her version very beautiful and other-worldly (is that a
word?!) But I find his mesmerizing. Maybe it can rightly be said that
without her example, his GVs wouldn't have been the way they were.
That book gets a lot into the mechanics of how pianos were/are made and
what different famous pianists liked in the action/tone/keys etc. of their
pianos; and how a tuner spends literally dozens of years perfecting his or
her craft. Amazing stuff.
Cheers, Elaine
--- On Sat, 8/7/10, _f_minor-request at glenngould.org_
(mailto:f_minor-request at glenngould.org) <_f_minor-request at glenngould.org_
(mailto:f_minor-request at glenngould.org) > wrote:
From: _f_minor-request at glenngould.org_
(mailto:f_minor-request at glenngould.org) <_f_minor-request at glenngould.org_
(mailto:f_minor-request at glenngould.org) >
Subject: f_minor Digest, Vol 5, Issue 6
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Today's Topics:
1. Re: Tureck and Gould (StudioDaCapo)
----------------------------------------------------------------------
Message: 1
Date: Sat, 7 Aug 2010 08:58:16 -0700
From: "StudioDaCapo" <_StudioDaCapo at hotmail.com_
(http://mc/compose?to=StudioDaCapo@hotmail.com) >
To: "Discussion of the Canadian pianist Glenn Gould."
<_f_minor at glenngould.org_ (http://mc/compose?to=f_minor@glenngould.org) >
Subject: Re: [f_minor] Tureck and Gould
Message-ID: <_SNT115-DS426C70159F1F8441B0C00C7920 at phx.gbl_
(http://mc/compose?to=SNT115-DS426C70159F1F8441B0C00C7920@phx.gbl) >
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Thank you, Elaine, for your marvelous info. It's so nice to have a
corroborating guidance.
For me (as my subjective opinion) Tureck's influence on Gould goes without
saying,
and perhaps this is why the both players go hand in hand on my list,
without belittling others, as the best female and male Bach player.
Have a good weekend.
SDC
From: Elaine Parks
Date: Thursday, August 05, 2010 2:17 PM
To: _f_minor at glenngould.org_ (http://mc/compose?to=f_minor@glenngould.org)
Subject: Re: [f_minor] Tureck and Gould
Indeed GG credits Tureck with having greatly ifluenced his playing of
Bach. You can find one of these instances in Jonathan Cott's interviews
("Conversations with Glenn Gould"): "I did like Tureck's recordings enormously -
Tureck influenced me...she was the first person who played Bach in what
seemed to me a sensible way...playing of such uprightness".
Cheers, Elaine
--- On Thu, 8/5/10, _f_minor-request at glenngould.org_
(http://mc/compose?to=f_minor-request@glenngould.org) <_f_minor-request at glenngould.org_
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Subject: f_minor Digest, Vol 5, Issue 4
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Today's Topics:
1. If Rosalyn Tureck... (maryellen jensen)
----------------------------------------------------------------------
Message: 1
Date: Wed, 4 Aug 2010 21:19:00 +0200
From: maryellen jensen <_maryellenjensen28 at hotmail.com_
(http://mc/compose?to=maryellenjensen28@hotmail.com) >
To: <_f_minor at glenngould.org_ (http://mc/compose?to=f_minor@glenngould.org)
>
Subject: [f_minor] If Rosalyn Tureck...
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Believe me, I'm not going to be banging on about this forever but if while
you're listening to this you are not also in mind of Gould's 1981-82
recording then pardon me but you haven't listened to Gould's second Goldberg.
Microsoft hotmail has does something bizarre by offering a little video
box at the beginning of each email which I did not ask for. Forget that box
and go to the hyperlink instead.
_http:///www.youtube.com/watch?v=HExHrFt2pPM&feature=related_
(http:///www.youtube.com/watch?v=HExHrFt2pPM&feature=related)
Mary Jensen
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